I was sitting at an outdoor table under a tent with my son Sean when Andrew Peterson plopped down next to us and began to eat his dinner. It was a cool September evening in Nashville at the 2012 Hutchmoot. Talking to Andrew was like talking to a long lost friend. The conversation meandered to children, much like the three jewels of Annieria in the Wingfeather Saga. Andrew scrunched up his face, shoved his nose in my son’s face and proclaimed: “You better behave, Sean me boy, or your father’ll have you hoisted up the petard!”

I’m sure Andrew doesn’t remember this. He said things like that to everyone at Hutchmoot, but we remember it well. And, it is that spirit of random abandonment to reality that flows through the Wingfeather Saga.

Being a alumnus of two Hutchmoots, I can easily see in Andrew’s writing his love for Buechner, Lewis, MacDonald, Tolkien, and Wendell Berry. He blends elements of fantasy, swashbuckling, and allegory with a touch of parable throughout his works all set against a lushly realized landscape. Now, I am an author of a book series. I am currently in the final edit on book four and I can tell you it is not easy keeping all the story lines coherent and moving in parallel. One of my pet peeves is with authors who set out to write a book series and run out of creative energy early on. They create immersive worlds, stunning characters, and set up elaborate plot lines and then just get lost in their own maze. The list of book series I have given up on is long. By book four, you can tell you are lost in a forest along with the author and there is no way to get out unless you turn back (reboot your story) or open up the Pandora’s box of contrivances and let loose the deus ex machina.

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